Skip to content
Corner Journal Agency

The Top Album of 2025: The Artist's Masterpiece Secures the Number One Place.

Initially, this work could seem closer to an arduous scholarly examination than the latest pop album from a musician who just had a last single was a collaboration with an international pop star. Divided into four separate parts and performed in 13 languages, this is a head-spinning orchestral-influenced album that delves into feminine mystique, spiritual ascent, and bodily transformation, often by way of the perspective of different women saints. The dissolution of a love affair—a topic handled with grounded openness elsewhere—is shot skyward here, carried by the lush sound of a full orchestra and contributions from a Pulitzer-winning composer within an extensive list of collaborators. The pure daring alone makes the efforts of contemporary pop stars look rather small.

Rising Above Scholarly Exercise

The fact that this album manages to transcend overly academic chin-stroking feels almost a miracle, and full praise belonging to Rosalía. While it's not her first project to blend the past with the present, its stakes feel much greater on Lux, with the tightrope walk far more dramatic. What really elevates this fourth album, beyond its multilayered tunes, rich arrangements, and engrained drama, is a core sense of fun. Similar to the legendary artist at her height, you find a wondrous quality to Rosalía's voice which sweeps the listener into its tornado. Even when she is breaking your heart apart, you still desire to stay alongside her through the journey.

A Signature Moment of Joy

That playful energy comes forth clearly on the stunning Italian ballad inspired by Saint Clare. It bathes in a string-drenched whirlpool over more than four minutes. Suddenly, all the music falls silent, and we hear a gleeful laugh and a comment prior to a comically exaggerated orchestral crescendo thuds in like cartoonish force. The track then shifts to the frenetic track driven by racing strings, an imposing choir, and a surprise appearance from the artist Björk.

"The charm with this album is that you rarely quite know—or even want to know—what it is going next."

Nearly each song finishes at a totally different point than where it began. One moment examines the fleeting trappings of fame with a featherlight orchestration only to disintegrating in digital chaos. Elsewhere, a song echoing the artist's earlier rhythmic style starts out moody and brooding, featuring menacing beats, until sudden traditional rhythms and a heavenly chorus arrive to soften the song's rough edges.

The Balance Between Experiment & Accessibility

A key achievement of the album is straddling the line of radical innovation and mainstream accessibility. This is little coincidence that the album has achieved her first release to crack the Top 5 of key charts: at its core a collection of utterly catchy pop songs. A song performed entirely in the English language swells on a refrain that feels to gather increasingly nagging hooks as it spirals upward. This feat gets echoed by a different expansive track that grows and contracts, weaving layered melodies like an intricate weave.

  • A waltz-like number seduces with its jaunty, theatrical flair and a chant-along hook.
  • In its words, it shares the pop culture honesty of other breakup songs, lambasting a former partner labeled an "psychological bully".
  • Across these tracks, the vocals carry a sharp smile, like a storybook figure concealing a blade: "Gold medal in being a scoundrel / You've the podium of disappointment."

An Opulent Feast for the Ears

This album is pop on a grand scale, a hungry grasp for high artistry in an era of impending artificial sameness. It rejects self-absorption in favor of glorious elevation, creating an over-the-top spectacle that masterfully controls its inherent excess. This is a deep well of hidden treasure that takes time to fully mine but never seem like hard work. While some big releases of 2025 seemed like a meager scraps, Lux offers a lavish banquet where the characters around the table, some intoxicated on holy wine, flit between conversations about historical figures, the profound sensation of soul-shattering grief, and shared stories about useless partners. It is a contemporary theatrical production from music's truly endlessly creative visionary.

The writer

Shannon Collins

A seasoned journalist with a decade of experience in European politics and media studies.

Corner Journal Agency

Type to search articles.